“Yatho Hasta thatho Drishti, Yatho Drishti thatho Manah
Yatho Manah thatho Bhaava, Yatho Bhaava thatho Rasa”
― Natyashastra
Welcome to Sri Nrithyalaya Academy of Fine Arts
Dancing is divine!!!
According to the Hindu tradition the name of the dance form was derived by joining two words, Bharata and Natyam where 'Natyam' in Sanskrit means dance and 'Bharata’ is a mnemonic comprising ‘bha’, ‘ra’ and ‘ta’ which respectively means ‘bhava’ that is emotion and feelings; ‘raga’ that is melody; and ‘tala’ that is rhythm. Thus, traditionally the word refers to a dance form where bhava, raga and tala are expressed.
The theoretical base of this dance form, which is also referred as Sadir, trace back to ancient Indian theatrologist and musicologist, Bharata Muni’s Sanskrit Hindu text on the performing arts called ‘Natya Shastra’. The text’s first complete version was presumably completed between 200 BCE to 200 CE, however such timeframe also varies between 500 BCE and 500 CE.
According to legends Lord Brahma revealed Bharatanatyam to the sage Bharata who then encoded this holy dance form in Natya Shastra. The text that consists of thousands of verses structured in different chapters divides dance in two specific forms, namely ‘nrita’ that is pure dance comprising of finesse of hand movements and gestures, and ‘nritya’ that is solo expressive dance that comprises of expressions.
According to Russian scholar Natalia Lidova, ‘Natya Shastra’ elucidates several theories of Indian classical dances including that of Tandava dance, standing postures, basic steps, bhava, rasa, methods of acting and gestures.